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Sennheiser EW165G2 Wireless System
0.00 -0.0 USD
Quantity - 1

Sennheiser EW165G2 Wireless System
Description
Sennheiser Evolution Wireless 165 G2 Vocal set for sale. Includes SKM100 G2 Handheld transmitter, EM100 G2 Rack-mount receiver, NT2-1 AC adapter, MZQ1 Microphone clip and 2 antennas. All in good working order.
BEHRINGER ULTRAVOICE XM1800S DYNAMIC CARDIOID VOCAL MICROPHONE 3-PACK
150.00 150.00 150.0 USD
DESCRIPTION
ULTRAVOICE XM1800S
-3 Dynamic Cardioid Vocal and Instrument Microphones (Set of 3)
-Dynamic vocal and instrument microphone with on/off switch for excellent studio and live performance
-Ultra-wide frequency response for brilliant and transparent sound
-Extremely high signal output lets your voice cut through
-Cardioid characteristic minimizes background noise and feedback
-Convenient on/off switch to mute during breaks
-Integrated spherical wind and pop noise filter
-Microphone stand adapter and impact-resistant carrying case included
-High-quality components and exceptionally rugged construction ensure long life
-Conceived and designed by BEHRINGER Germany
Few things are more essential to recording or live performance than dynamic microphones. Ask any sound engineer and they will tell you to keep as many as possible on hand. BEHRINGER has bundled three great-sounding dynamic microphones into one impact-resistant case, with stand adapters and mic clips so you'll be ready to capture your sound in brilliant resolution.

What is a Dynamic Microphone?
Dynamic mics have several advantages that make them ideal for live applications or recording amplified instruments. They're robust, resistant to moisture and can achieve high gain before feeding back. These microphones' cardioid pickup pattern is designed to capture the source signal, such as a guitar amplifier or vocalist, while shunning off-axis sound.

Why the XM1800S?
If you take a look at the stage in any club, you’ll probably see at least three dynamic mics for the vocalists, with even more for the drums and amplifiers. This convenient package puts three great-sounding mics at your immediate disposal. XM1800S mics provide super-clean sound with minimal distortion, a slight presence lift in the critical mid-range, and an on/off switch for breaks in the set.

Value
Check out the XM1800S at your nearest BEHRINGER dealer and find out why these mics are becoming so common in practice spaces, bedrooms, professional studios and stages all over the globe. Moreover, they're available at a price that will leave you with enough cash left over for other essentials.

You Are Covered
We always strive to provide the best possible Customer Experience. Our products are made in our own MUSIC Group factory using state-of-the-art automation, enhanced production workflows and quality assurance labs with the most sophisticated test equipment available in the world.
YOGA CT-07A BOUNDARY MICROPHONE - HALF CARDIOID - 4M XLR LEAD & CARRY CASE
110.00 110.00 110.0 USD
Quantity - 1
Condenser Boundary Mic - Half Cardioid - 4m XLR Lead Included & Carry Case

A low profile half cardioid condenser microphone which is ideal for use on stage and at places of worship. Its compact design enables it to be desk or wall mounted capturing the sound without loss.
Heavy duty die cast body
Rubber non-slip pad and strong steel screen
On/Off switch with LED power on indicator
10dB pad and bass roll-off function switches
Supplied with 4m mini 3-pin XLR socket to XLR plug lead and hard carry case
Description
MICROPHONE, BOUNDARY, XLR
Connector Type:3-Pin XLR Socket
Device Type:Microphone
Directivity:Half Cardioid
External Length / Height:27.6mm
Max Operating Frequency:18kHz
Ouput Impedance:300ohm
Sensitivity:55 dB
Transducer Function:Acoustic
External Depth:90mm
External Width:100mm
Weight:146g
Dynamic Gun Microphone
45.00 45.00 45.0 USD
Desk Microphone (Used)
100.00 100.00 100.0 USD
TAKSTAR microphone
200.00 200.00 200.0 USD
AKG Pro Audio Condenser Microphones
220.00 220.00 220.0 USD
Quantity - 1
Multi-Pattern Condenser Microphone
The C414 EB P48 was a variation of the C414EB. Both were multipattern FET mics built around AKG’s CK-12 capsule, but the P48 version was released 4 years after the EB, and differed in the following ways:

While the C414EB could run on as little as 9VDC phantom power, and used a DC-DC converter to generate the capsule’s required polarization voltage, the C414 EB P48 required a full 48VDC phantom power, and contained no DC-DC converter.
Early production runs of the C414EB used brass-ring CK-12 capsules. Although we have seen reports of some C414EB-P48 with brass CK-12s, we believe most of the P48 mics had nylon CK-12s.
The P48 had higher sensitivity — it was rated at 9mV/Pa, as compared to the EB (6 mV/Pa).
The P48 had slightly higher impedance, at 200Ω.
The P48 was available in black; the C414EB was available in silver.
Both mics offered a 3-way pad (0, -10, -20dB) and a 3-way high-pass filter (flat, -12dB/octave @ 75 or 150Hz), and four polar patterns: Cardioid, Omni, Hypercardioid, Figure of 8. All these features were selectable via switches built into the microphone body.

Like the original C 414 EB, the C414EB P48 shipped with a stand adapter (AKG p/n SA 18/3), a foam windscreen (p/n W 26), and a plot of the mic’s frequency-response curve.

Permalink: AKG Acoustics C-414-EB-P48

The mic was released in 1980.

Omnidirectional (9 mV/Pa; 30 - 20,000 Hz)
Cardioid (9 mV/Pa; 30 - 20,000 Hz)
Hypercardioid (9 mV/Pa; 30 - 20,000 Hz)
Bidirectional (9 mV/Pa; 30 - 20,000 Hz)
Pad: -10dB (Via Switch)
Pad: -20dB (Via Switch)
Filter: HPF: -12 dB/octave @ 75Hz (Via Switch)
Filter: HPF: -12dB/octave @ 150Hz (Via Switch)
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